Premiere: “Take Heart” by The Good Graces

Atlanta-based alt-country collective The Good Graces have been making jangly roots music for the last decade; more of a community musical collaboration than a band, The Good Graces are the brainchild of singer, songwriter, and guitarist Kim Ware, and include a rotating cast of a dozen musicians, with a core group of players. The band... Continue Reading →

Interview: Kayley Hill

“One distinct memory I have is dancing around the living room to Brooks & Dunn when I was a kid, ‘Boot Scootin’ Boogie’ was my song,” laughs country roots artist Kayley Hill. Raised on a steady diet of The Dixie Chicks and Martina McBride, Hill developed a taste for country music and bluegrass acquired during... Continue Reading →

Interview: Driftwood Solider

Philadelphia-based mandolinist Owen Lyman-Schmidt and bassist Bobby Szafranski met coincidentally and, as musically-inclined folks tend to do, started playing together. “We were a good musical fit, and I stopped looking for other players,” recalls the quick-witted dry-humored Lyman-Schmidt. “Speaking of fit, since there were only two of us, we were able to tour in a... Continue Reading →

Interview: The Gage Brothers

“We grew up playing music, but it wasn't until a couple of years ago that Ben and I started playing together,” recalls Zach Gage of appropriately-named, Ohio-based, rootsy string band The Gage Brothers. “There is five years’ difference between us, and most of our lives, we were more interested in picking on each other than... Continue Reading →

Album Review: The Suitcase Junket – Pile Driver

“One man’s trash is another man’s treasure”—no one knows that better than Matt Lorenz, a.k.a. The Suitcase Junket, who has taken trash to make musical treasure, and beautifully displayed it in his forthcoming album, Pile Driver, out April 21st. Lorenz has assembled 12 tracks showcasing his bluesy, fuzzed-out guitar—also a dumpster find—along with a host of... Continue Reading →

Album Review: Son Volt – Notes Of Blue

Jay Farrar, through his various bands and exemplary projects, has become a purveyor of the great American songbook, like many great musical legends before him. As he brings his own unique flavor to the party, Farrar’s music has encompassed folk, country, garage rock, psychedelia, and now, blues-inspired stomp. Farrar’s forthcoming release, Notes Of Blue, from his... Continue Reading →

Review: Horseshoes & Hand Grenades at The High Watt

As Music City haunt The High Watt began to fill with attendees eager to experience Wisconsin-based bluegrass band  Horseshoes & Hand Grenades, the lights above shone down onto the empty stage and illuminated a lone microphone in the center. The five-piece took their positions around the center, tuned up, and jumped right in with a quick-pacing bluegrass... Continue Reading →

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